Contemporary design is based on new ways of using materials and encourages a sculptural approach freed from the constrictions of traditional building methods
In the early twentieth century all the rules of architecture changed. With the coming of the steel framed building there was no longer a need for the exterior walls to support a structure. Early pioneers such as Louis Sullivan, Gropius at the Bauhaus, and Mies van der Rohe explored a new frontier of curtain walls, mitered glass, welded trusses, and floating stairs. Frank Lloyd Wright created the world’s most famous cantilever at Fallingwater in rural Pennsylvania, and Philip Johnson built a habitable glass cube in Connecticut.
Less than 100 years later we see structures like those of Frank Gehry that are at least as much sculpture as architecture. Even though it is in it’s infancy, Modernism has acquired a history. Some early efforts were more successful than others, and some still register strong reactions (both positive and negative) from those who experience them.
Interior design is also experiencing a sculptural revolution. Italian and German Industrial designers have fashioned sleek mechanically sophisticated cabinetry. Johnny Grey in England has created a whimsical new take on the unfitted kitchen, and Fu Tung Cheng in California has brought a zen sensibility to wood veneer, concrete and stainless steel.
Today’s contemporary design is about drama and is only limited by the artist’s imagination, ability, and budget.
Theater for the Real World
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Somerville, Ma
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Boston, Ma
